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Thursday 7 April 2016

WANT Les Essentiels Men's Fall/Winter 2016 Collection



The simplicity of the modern is complemented by the timeless aesthetic of the military uniform in WANT Les Essentiels’ Fall/Winter 2016 collection. 
Inspiration for the season is centered around the concept of ‘Uni.form.ality’, the ceremony of incorporating a daily uniform that reflects ones personal style while embracing utility and function. This convergence of style, sophistication and above all, functionality, is at the core of WANT Les Essentiels’ Fall/Winter 2016 collection. Throughout the collection, sharp lines and futuristic materials update clean silhouettes with pragmatic sensibility. Classic WANT styles are reimagined in leather, wool, organic cotton and quilt in a range of subdued neutrals: Blanket Drill, Navy Wool MĂ©lange, Brushed Olive and Navy, Crimson, and Gunmetal.
New styles are also introduced this season that underscore the standards of quality and consistency upheld by the WANT Man. Well-constructed and compartmentalized, the Jackson Messenger bag is a response to demand from customers, offering a 13” and 15” laptop bag fitted for life on-the-go, whether on foot or by bike.  In addition, the Florio Computer Folio safely protects any 13” or 15” laptop in a lightweight and soft padded case, no matter where it is placed.  And for the first time, the brand’s iconic Kastrup Backpack is introduced in a larger 15” size.




This season, the brand’s footwear collection further steps into function. Inspired by militaristic design and innovation, the Stewart Desert Boot provides a casual, comfortable style in a combination of matte and nubuck leather.  For winter warmth and performance, the Hopkins Lugged Sneaker along with the Montoro and Montoro High Derby Shoe are equipped with an all-new weather-appropriate tread. The Marshall Chelsea boot also debuts this season, as a dependable and eternally stylish wardrobe staple available in brushed black or brown leather. 

The WANT Les Essentiels Fall/Winter 2016 campaign imagery was shot by Martin Fortin at The National Gallery of Canada, Ottawa. 

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